Miles Davis - The Complete In A Silent Way Sessions (1969)

Groovy Dude presents an electric Miles page from 1969 to 1975


1969 In A Silent Way
1969 The Complete In A Silent Way Sessions
1969-1970 The Complete Bitches Brew Sessions
1970 A Tribute To Jack Johnson
1970 The Complete Jack Johnson Sessions
1970 Live at Fillmore East
1970 The Complete Cellar Door Sessions
1971 Live Evil
1972 In Concert (at Philharmonic Hall)
1972 On The Corner
1972-1975 The Complete On The Corner Sessions




In 2001, Columbia released a three CD set, The Complete In a Silent Way Sessions by Miles Davis.

For this collection of recordings documents an important turning point in the history of jazz. To the innovative trumpeter it was literally the demarcation line between his acoustic, straight jazz up to that time and the electric jazz-rock fusion he has played almost exclusively to the time of his death in 1991.

The tracks represent his entire recorded output in chronological order from September, 1968 until February, 1969. It was during a period where Miles was on a major creative roll. He had seen his former protege' Cannonball Adderley become increasingly popular during the sixties when he blended R&B into his jazz. Miles wanted to reach a larger audience, too, but instead of looking to Ray Charles for inspiration, he used the music of Jimi Hendrix and Sly Stone for his own template.
Here's In A Silent Way standard LP ripped @ 320.

Released:	2001
Genre:	Jazz
Style:	Post Bop, Fusion, Modal
	Bass - Dave Holland Drums - Tony Williams* (tracks: 1.01 to 1.06, 2.04 to 2.07, 3.03, 3.04) , Jack DeJohnette (tracks: 2.01, 2.02, 2.03) , Joe Chambers (tracks: 3.01, 3.02) Electric Guitar - John McLaughlin Electric Piano - Chick Corea , Herbie Hancock (tracks: All except 1.01, 1.02) Electric Piano, Organ - Joe Zawinul Saxopone [Tenor] - Wayne Shorter Tambourine - Jack DeJohnette (tracks: 2.01, 2.02, 2.03) , Teo Macero (tracks: 2.01, 2.02, 2.03) Trumpet - Miles Davis
	Material taken from: Filles De Kilimanjaro In A Silent Way Water Babies Circle In The Round Directions

Ripped @ 320

The Complete In A Silent Way Sessions Disc1 (320)

1.01		Mademoiselle Mabry (16:33)
1.02		Frelon Burn (Brown Hornet) (5:37)
1.03		Two Faced (18:02)
1.04		Dual Mr. Anthony Tillmon Williams Process (13:20)
1.05		Splash (10:05)
1.06		Splashdown (8:03)

The Complete In A Silent Way Sessions Disc2 (320)

2.01		Ascent (14:52)
2.02		Directions I (6:47)
2.03		Directions II (4:51)
2.04		Shhh / Peaceful (19:15)
2.05		In A Silent Way (Rehersal) (5:24)
2.06		In A Silent Way (4:15)
2.07		It's About That Time (11:27)

The Complete In A Silent Way Sessions Disc3 (320)

3.01		The Ghetto Walk (26:46)
3.02		Early Minor (6:56)
3.03		Shhh / Peaceful (LP Version) (18:16)
3.04		In A Silent Way / It's About That Time (LP Version) (19:53)

Miles Davis - The Complete Bitches Brew Sessions (1970)

When Miles Davis released Bitches Brew in April 1970, he set the music world on its ear. No one had heard anything quite like this before. The music went far beyond all the limits of jazz and rock, and created a new genre--fusion. The six tracks that made it to the original double album (which in itself was a rarity for a jazz artist) were recorded over three days in August 1969, and then assembled from various takes in the studio. The rest of the material included here features largely the same musicians, but in different sessions over the next 6 months.

In addition to the six original selections, The Complete Bitches Brew Sessions also features nine unreleased tracks, alternate takes, and tracks from previously released LPs. Of the unreleased tracks, "Corrado," "Recollection," and the alternate version of "The Little Blue Frog" are highlights. Not all of the new material stands up to repeated listens, however. Unless you're a fan of repetitive Indian music, stay clear of record three. These tracks never seem to get off the ground. Aside from that, you won't be disappointed in the extra tunes. And like the rest of the box, it sounds great.

Personnel

Bass - Dave Holland (tracks: 1-1 to 2-2, 3-1 to 3-4) , Ron Carter (tracks: 2-3 to 2-6)
Bass [Electric] - Dave Holland (tracks: 3-5 to 4-5) , Harvey Brooks (tracks: 1-1 to 1-3, 2-1, 2-3 to 3-4)
Clarinet [Bass] - Bennie Maupin (tracks: 1-1 to 2-1, 2-3 to 4-2)
Congas - Don Alias (tracks: 1-1 to 1-4, 2-2) , Jumma Santos (tracks: 2-1)
Cuica, Berimbau - Airto Moreira (tracks: 2-3 to 4-5)
Drums - Billy Cobham (tracks: 2-3 to 2-6, 3-3 to 4-2) , Don Alias (tracks: 2-1) , Jack DeJohnetteLenny White (tracks: 1-1 to 1-4)
Electric Piano - Chick Corea , Herbie Hancock (tracks: 2-3 to 3-4) , Joe Zawinul (tracks: 1-1 to 2-2, 3-5 to 4-5) , Larry Young (tracks: 1-1, 1-3)
Engineer - Frank Laico (tracks: 2-3 to 2-6) , Stan Tonkel (tracks: 1-1 to 2-2, 3-1 to 4-5)
Executive Producer - Michael Cuscuna
Guitar - John McLaughlin
Mixed By, Remastered By - Mark Wilder , Rob Schwarz
Organ, Celesta - Larry Young (tracks: 3-1 to 3-4)
Producer - Teo Macero
Reissue Producer - Bob Belden
Saxophone [Soprano] - Steve Grossman (tracks: 2-3 to 3-4) , Wayne Shorter (tracks: 1-1 to 2-2, 3-5 to 4-5)
Shaker - Jumma Santos (tracks: 1-1 to 1-4, 2-2)
Sitar - Khalil Balakrishna (tracks: 2-3 to 3-6)
Tambura, Tabla - Bihari Sharma (tracks: 2-3 to 3-4)
Triangle - Billy Cobham (tracks: 2-3 to 3-2, 4-3, 4-4)
Trumpet - Miles Davis


Ripped @ 320

Disc one part 1 and part 2

1. "Pharaoh's Dance" (Zawinul) – 20:06
2. "Bitches Brew" (Miles Davis) – 26:58
3. "Spanish Key" (Davis) – 17:34
4. "John McLaughlin" (Davis) – 4:22

Disc two part 1 and part 2

1. "Miles Runs the Voodoo Down" (Davis) – 14:01
2. "Sanctuary" (Shorter) – 10:56
3. "Great Expectations" (Davis - Zawinul) – 13:45
4. "Orange Lady" (Zawinul) – 13:50
5. "Yaphet" (Davis) – 9:39
6. "Corrado" (Davis) – 13:11

Disc three part 1 and part 2

1. "Trevere" (Davis) – 5:55
2. "The Big Green Serpent" (Davis) – 3:35
3. "The Little Blue Frog" (alternate take) (Davis) – 12:13
4. "The Little Blue Frog" (Davis) – 9:09
5. "Lonely Fire" (Davis) – 21:09
6. "Guinnevere" (David Crosby) – 21:07

Disc four

1. "Feio" (Shorter) – 11:49
2. "Double Image" (Zawinul) – 8:25
3. "Recollections" (Zawinul) – 18:54
4. "Take It or Leave It" (Zawinul) – 2:13
5. "Double Image" (Zawinul) – 5:52

Miles Davis - The Complete Jack Johnson Sessions (1970)

The Complete Jack Johnson Sessions represent a stunning crossroads where boxing, the Black Power movement, the development of rock music as an expression of vast changes in American society, the electronic amplification of jazz, and Miles Davis all came together.

The Complete Jack Johnson Sessions were recorded in April 1970 by Miles Davis, and released in September 2003. These sessions formed the basis for the 1970 album A Tribute to Jack Johnson. They were recorded as the soundtrack for a documentary by the same name about the heavyweight world champion boxer Jack Johnson.

Here's A Tribute To Jack Johnson standard LP, part 1 and part 2 ripped @ 320.

Personnel
Bass - Dave Holland (tracks: CD4-11/12, CD5-01/2) , Ron Carter (tracks: CD4-06/7/8/9/10)
Bass Clarinet - Bennie Maupin (tracks: CD1-01/2/3/4, CD2-06/7)
Cuica, Berimbau - Airto Moreira (tracks: CD3-07/8, CD4-01/2/3/4/5)
Drums - Billy Cobham (tracks: CD2-06/7, CD3-01/2/3/4/5/6/7/8, CD4-01/2, CD5-03/4) , Hermeto Pascoal (tracks: CD4-08/9/10) , Jack DeJohnette (tracks: CD1-01/2/3/4/5/6/7/8/9/10, CD2-01/2/3/4/5, CD4-03/6/7, CD5-01/2) , Lenny White (tracks: CD2-08)
Electric Bass - Dave Holland (tracks: CD1-01/2/3/4/5/6/7/8/9/10, CD2-01/2/3/4/5/6/7/8) , Gene Perla (tracks: CD3-07/8, CD4-01/2) , Michael Henderson (tracks: CD3-01/2/3/4/5/6/7/8, CD4-01/2/4/5, CD5-03/4)
Electric Piano - Chick Corea (tracks: CD1-01/2/3/4, CD5-01/2) , Herbie Hancock (tracks: CD4-06/7/8/9/10) , Keith Jarrett (tracks: CD3-07/8, CD4-01/2/3/4/5/6/7/8/9/10, CD5-01/2)
Guitar - John McLaughlin (tracks: CD1-01/2/3/4/5/6/7/8/9/10, CD2-01/2/3/4/5/6/7/8, CD3-01/2/3/4/5/6/7/8, CD4-01/2/3/4/5, CD5-01/2/3/4)
Guitar, Echoplex - Sonny Sharrock (tracks: CD1-01/2/3/4)
Organ - Chick Corea (tracks: CD4-06/7/8/9/10) , Herbie Hancock (tracks: CD3-01/2/3/4/5/6/7/8, CD4-01/2/4/5/11/12, CD5-01/2/3/4)
Percussion - Airto Moreira (tracks: CD4-06/7/8/9/10, CD5-01/2)
Producer - Teo Macero
Soprano Saxophone - Steve Grossman (tracks: CD1-05/6/7/8/9/10, CD2-01/2/3/4/5/8, CD3-01/2/3/4/5/6/7/8, CD4-01/2/6/7/8/9/10, CD5-01/2/3/4) , Wayne Shorter (tracks: CD2-06/7)
Trumpet - Miles Davis
Voice - Hermeto Pascoal (tracks: CD4-04/5/8/9/10/11/12)
Whistling - Hermeto Pascoal (tracks: CD4-11/12)


Ripped @ 320

Disc One (75:10)

• Tracks 1-4 recorded February 18, 1970 Columbia Studio B, New York, NY
• Tracks 5-9 recorded February 27, 1970 Columbia Studio B, New York, NY
• Track 10 recorded March 3, 1970 Columbia Studio B, New York, NY

1. "Willie Nelson (Take 2)"** – 6:41
2. "Willie Nelson (Take 3)"* – 10:21
3. "Willie Nelson (Insert 1)"** – 6:33
4. "Willie Nelson (Insert 2)"** – 5:22
5. "Willie Nelson (Remake Take 1)"* – 10:45
6. "Willie Nelson (Remake Take 2)" – 10:17
7. "Johnny Bratton (Take 4)"* – 8:18
8. "Johnny Bratton (Insert 1)"* – 6:39
9. "Johnny Bratton (Insert 2)"* – 5:20
10. "Archie Moore"* – 4:45

Disc Two (68:19)

• Tracks 1-5 recorded March 3, 1970 Columbia Studio B, New York, NY
• Tracks 6-7 recorded March 17, 1970 Columbia Studio C, New York, NY
• Track 8 recorded March 20, 1970 Columbia Studio B, New York, NY

1. "Go Ahead John (Part One)"** – 13:07
2. "Go Ahead John (Part Two A)"** – 7:00
3. "Go Ahead John (Part Two B)"** – 10:06
4. "Go Ahead John (Part Two C)"** – 3:38
5. "Go Ahead John (Part One Remake)"** – 11:04
6. "Duran (Take 4)"* – 5:37
7. "Duran (Take 6)" – 11:20
8. "Sugar Ray"* – 6:16

Disc Three (77:48)

• Tracks 1-6 recorded April 7, 1970 Columbia Studio B, New York, NY
• Tracks 7-8 recorded May 19, 1970 Columbia Studio C, New York, NY

1. "Right Off (Take 10)" – 11:09
2. "Right Off (Take 10A)"** – 4:33
3. "Right Off (Take 11)"** – 5:58
4. "Right Off (Take 12)"** – 8:49
5. "Yesternow (Take 16)"* – 9:49
6. "Yesternow (New Take 4)"** – 16:02
7. "Honky Tonk (Take 2)"** – 10:04
8. "Honky Tonk (Take 5)"* – 11:29

Disc Four (71:14)

• Tracks 1-2 recorded May 19, 1970 Columbia Studio C, New York, NY
• Track 3 recorded May 21, 1970 Columbia Studio C, New York, NY
• Tracks 6-10 recorded June 3, 1970 Columbia Studio C, New York, NY
• Tracks 11-12 recorded June 4, 1970 Columbia Studio C, New York, NY

1. "Ali (Take 3)"* – 6:50
2. "Ali (Take 4)"* – 10:16
3. "Konda"** – 16:29
4. "Nem Um Talvez (Take 17)"* – 2:50
5. "Nem Um Talvez (Take 19)"* – 2:54
6. "Little High People (Take 7)"* – 6:52
7. "Little High People (Take 8)"* – 9:28
8. "Nem Um Talvez (Take 3)"* – 4:36
9. "Nem Um Talvez (Take 4A)" – 2:04
10. "Selim (Take 4B)" – 2:15
11. "Little Church (Take 7)"* – 3:18
12. "Little Church (Take 10)" – 3:15

Disc Five (76:04)

• Tracks 1-2 recorded June 4, 1970 Columbia Studio C, New York, NY
• Track 3 recorded April 7, 1970 Columbia Studio B, New York, NY
  • Includes an excerpt from an unaccompanied trumpet solo from November 19 or 18, 1969
• Track 4 recorded April 7, 1970 Columbia Studio B, New York, NY ("Yesternow") + February 18, 1970 Columbia Studio B, New York, NY ("Willie Nelson" uncredited)
  • Includes an excerpt from the unaccompanied November 1969 trumpet solo with arco bass overdubbed
  • Includes an excerpt of "Shhh/Peaceful" recorded February 18, 1969
  • Includes an excerpt from the unaccompanied November 1969 trumpet solo with the following overdubs: orchestra arranged by Teo Macero and narration by Brock Peters

1. "The Mask (Part One)"* – 7:47
2. "The Mask (Part Two)"* – 15:45
3. "Right Off" – 26:54
4. "Yesternow" – 25:36

All compositions by Miles Davis except Disc Four, tracks 4 through 12 by Hermeto Pascoal.

(*) Previously Unissued

(**) Previously Unissued in Full

Miles Davis - at Fillmore : Live at The Fillmore East (1970)

A completely unreleased concert, it's as good as any other recordings Davis and his various shape-shifting units made during his phenomenally creative 1968-1975 period.

Personnel
Miles Davis trumpet
Steve Grossman soprano sax
Chick Corea electric piano
Keith Jarrett organ
Dave Holland electric & acoustic bass
Jack DeJohnette drums
Airto Moreira percussion


Disc 1 - Wednesday Miles (1-5), Thursday Miles (6-8)

• Directions 2.29
• Bitches Brew 0.53
• The Mask 1.35
• It About That Time 8.12
• Bitches Brew/The Theme 10.55
• Directions 5.35
• The Mask 9.50
  
• It's About That Time 11.22
  

Disc 2 - Friday Miles (1-4), Saturday Miles (5-9)

• It's About That Time 9.01
• I Fall In Love Too Easily 2.00
• Sanctuary 3.44
• Bitches Brew/The Theme 13.09
• It's About That Time 3.43
• I Fall In Love Too Easily 0.54
• Sanctuary 2.49
• Bicthes Brew 6.57
• Willie Nelson/The Theme 7.57

Miles Davis - The Complete Cellar Door Sessions (1970)

This six-CD set features trumpeter Miles Davis with his early fusion band, marking the significant change that he was to bring about in jazz. Recorded from December 16-19, 1970, Davis' music retained the comfortable swing and fiery emotion that he had espoused in earlier years, but added a dynamic force that signaled progress in the entertainment industry.

Taking advantage of the technological developments available to him, he experimented with the sonic powers of electric piano, electric bass, and electric guitar, without yet moving into the realm of synthesizers. Thus, this session comes between two vastly different aspects of the trumpeter's signature sound: after his acoustic, straightahead bop legacy and before his heavily synthesized jazz/rock fling. The Cellar Door sessions provided the original source material for Live/Evil (Columbia, 1972), but they're presented in their entirety here.


Personnel:

• Miles Davis: trumpet
• Gary Bartz: soprano and alto sax:
• John McLaughlin: electric guitar (CDs 5-6 only)
• Keith Jarrett: Fender Rhodes electric piano and Fender organ
• Michael Henderson: electric bass
• Jack DeJohnette: drums
• Airto Moreira: percussion (CDs 2-6 only)

Disc 1 - Wednesday, December 16 (1st set)

1. "Directions" (Joe Zawinul) 8:55

2. "Yesternow" (Miles Davis) 17:05

3. "What I Say" (Davis) 13:12

4. "Improvisation #1" (Keith Jarrett) 4:29

5. "Inamorata" (Davis) 13:59

Disc 2 - Thursday, December 17th (2nd set) part 1 and part 2

1. "What I Say" 13:33

2. "Honky Tonk" (Davis) 19:59

3. "It's About That Time" (Davis) 14:41

4. "Improvisation #2" (Jarrett) 6:39

5. "Inamorata" 14:33

6. "Sanctuary" (Wayne Shorter) 0:30

Disc 3 - Friday, December 18th (2nd set) [ EXCEPT Tracks 4,5,6. THANKS for add; ]

1. "Directions" 13:11

2. "Honky Tonk" 18:31

3. "What I Say" 15:09

Disc 4 - Friday, December 18th (3rd set)

1. "Directions" 11:53

2. "Honky Tonk" 17:00

3. "What I Say" 14:12

4. "Sanctuary" 2:03

5. "Improvisation #3" (Jarrett) 5:04

6. "Inamorata" 15:14

Disc 5 - Saturday, December 19th (2nd set)

1. "Directions" 15:09

2. "Honky Tonk" 20:49

3. "What I Say" 21:31

Disc 6 - Saturday, December 19th (3rd set)

1. "Directions" 19:04

2. "Improvisation #4" (Jarrett) 5:03

3. "Inamorata" 18:27

4. "Sanctuary" 2:12

5. "It's About That Time" 7:49

Miles Davis - Live Evil (1971)

Recorded at various venues and dates, some on stage and some in studio.

Personnel
Bass - Dave Holland (tracks: A2, A3) , Michael Henderson (tracks: A1, B1, C2, D) , Ron Carter
Drums - Billy Cobham (tracks: A3) , Jack DeJohnette (tracks: all)
Electric Piano, Whistling - Hermeto Pascoal (tracks: A2)
Guitar - John McLaughlin (tracks: A1, A2, A3, B1, C2, D)
Keyboard - Chick Corea (tracks: A2, A3, B2, C1) , Herbie Hancock (tracks: A2, B2, C1) , Joe Zawinul (tracks: A3) , Keith Jarrett (tracks: A2, B2, C1)
Percussion - Airto Moreira (tracks: all)
Piano - Keith Jarrett (tracks: A1, B1, C2, D)
Saxophone - Gary Bartz (tracks: A1, B1, C2, D) , Steve Grossman (tracks: A2, B2, C1) , Wayne Shorter (tracks: A3)
Sitar - Khalil Balakrishna (tracks: A3)
Trumpet - Miles Davis (tracks: all)
Vocal - Hermeto Pascoal (tracks: B2, C1)
(tracks: B2, C1)

Miles Davis - Live-Evil

Tracklisting:

A1		Sivad (15:15)
A2		Little Church (3:15)
A3		Medley: Gemini / Double Image (5:54)
B1		What I Say (21:11)
B2		Nem Um Talvez (4:03)
C1		Selim (2:13)
C2		Funky Tonk (23:26)
D		Inamorata And Narration By Conrad Roberts (26:37)

Miles Davis - In Concert (1972)

Recorded Live at Philharmonic Hall, New York, on September 29, 1972.

Personnel
Miles Davis trumpet
Carlos Garnett soprano sax (disc1 track1), tenor sax
Cedric Lawson electric piano, synthesizer
Reggie Lucas guitar
Khalil Balakrishna electric sitar
Michael Henderson electric bass
Al Foster drums
Badal Roy tabla
Mtume percussion

Ripped @ 320

Disc 1 : "FOOT FOOLER" In Concert, Parts 1 and 2

1. Rated X 12:16
2. Honky Tonk 9:18
3. Theme From Jack Johnson 10:13
4. Black Satin/The Theme 14:15

Disc 2 : "SLICKAPHONICS" In Concert, Parts 3 and 4

1. Ife 27:54
2. Right Off/The Theme 10:31

Miles Davis - The Complete On The Corner Sessions (1972-1975)

On the Corner was released in October 1972, followed by Big Fun and Get Up With It, both in 1974. All of these records contained (at least partially) music recorded during sessions in 1972-75, the period represented on Columbia Legacy's latest extravagant box-set treatment for Davis, The Complete On the Corner Sessions. Over six discs, we get every track put to tape during the period by Davis' revolving cast of players (in addition to the core of his touring band, luminous Davis alums like Chick Corea, Jack DeJohnette, John McLaughlin, Herbie Hancock, Don Alias, and Bennie Maupin drop by), and though I don't anticipate many all-night OtC listening parties in the near future, it's arguably the greatest collection of Davis' post-Bitches Brew studio music in one set. The thing is, this is thick, sticky stuff; 20-minute jams like "Ife" or the unedited take of "On the Corner" are amazingly gripping despite their lengths, but process a few in a row, and you risk experiencing dizzy spells. In retrospect, maybe it's not surprising that Davis retired in 1975, resurfacing half a decade later playing music that was a lot more easily digestible. Here's On The Corner standard LP part 1 and part 2 ripped @ 320, Complete Sessions are below.


Personnel

• Michael Henderson
• Al Foster
• Mtume
• Dave Liebman
• Sonny Fortune
• Carlos Garnett
• Herbie Hancock
• Chick Corea
• John McLaughlin
• Reggie Lucas
• Pete Cosey
• Jack DeJohnette
• Billy Hart
• Badal Roy
• Don Alias
• Bennie Maupin
• Lonnie Liston Smith
• Cedric Lawson

Disque 1 (Juin 1972)

1. On The Corner (unedited master) 19:25
2. On The Corner (take 4) 5:15
3. One And One (unedited master) 17:55
4. Helen Butte/Mr. Freedom X (unedited master) 23:19
5. Jabali 11:04

Disque 2 (Juin - Nov 1972)

1. Ife
   
2. Chieftain 14:37
3. Rated X 6:50
4. Turnaround 17:16
5. U-Turnaround 8:27

Disque 3 (Déc 72 - Sept 73)

1. Billy Preston 12:33
2. The Hen 12:55
3. Big Fun/Holly-wuud (take 2) 6:32
4. Big Fun/Holly-wuud (take 3) 7:07
5. Peace 7:01
6. Mr. Foster 15:14

Disque 4 (Sept 73 - Juin 74)

1. Calypso Frelimo 32:04
2. He Loved Him Madly 32:13

Disque 5 (Oct 74 - Mai 75)

1. Maiysha 14:51
2. Mtume 15:08
3. Mtume (take 11) 6:51
4. Hip-Skip 18:59
5. What They Do 11:44
6. Minnie 3:53

Disque 6 (Mars 72 - Juillet 73)

1. Red China Blues 4:06
2. On The Corner/New York Girl/Thinkin' Of One Thing And Doin' Another/Vote For Miles 19:54
3. Black Satin 5:15
4. One And One 6:09
5. Helen Butte/Mr. Freedom X 23:14
6. Big Fun 2:32
7. Holly-wuud 2:54

Funky Skunk, a jazz-funk band from France

I would like to finish this first funky page of Groovy Dude LP's presenting you an awesome french jazz-funk band, Funky Skunk.


The story takes place in Amiens. A jazz funk master, having fled the U.S., is assassinated by his rival. Splinter, who learned to play the Rhodes by observing him, takes refuge in the sewers. There he takes in 4 baby musicians who had fallen there by accident. Exposed to a radioactive and strangely funky substance, the musicians mutate and change into skunks.

Splinter teaches each one to master an instrument in the hope of creating an odoriferous jazz-funk combo. He teaches Davidello the art of the Rhodes, sharp as a razor blade; to Kennyello, mastery of the bass thumping like a billyclub; to Raphaelo the technique of the alto and soprano saxophone, and the bass clarinette, notes shining like ninja stars; and to Joslinello the secrets of the drum set, percussive like a submachine gun.

In this way the group Funky Skunk was born, the only common point between Herbie Hancock and The Monty Pythons..their war cry: "You're a rotten egg!"


L'histoire se passe à Amiens. Un maître du jazz-funk ayant fui les Etats Unis est assassiné par son rival. Splinter, qui a appris à jouer du Fender Rhodes en l'observant, se réfugie dans les égouts.

Il y recueille 4 bébés musiciens tombés là par accident. Exposés à une substance radioactive étrangement funky, les musiciens mutent et se changent en putois.

Splinter enseignera alors à chacun la maîtrise d'un instrument dans l'espoir affiché d'en faire une formation de Jazz-funk odorante. Il enseigne à Davidello l'art du Fender Rhodes, tranchant comme une lame de rasoir, à Kennyello la maîtrise de la Jazz Bass, claquante comme une matraque, à Raphaëlo les techniques des saxophone alto, soprano, de la clarinette basse, cinglants comme des étoiles de Ninja, et à Joslinello les secrets du break improbable, percutant comme la foudre...

Ainsi naîtra le groupe Funky Skunk, seul point commun entre le Jazz/Funk 70’s et La classe Américaine (un flim qui n'est pas un flim sur le cyclimse, merci de votre compréhension).


The Funky Skunk Space

You can support Funky Skunk buying their EP

The Inner Dimensions Of Rick Mason & The Rare Feelings (1976)

NO INFO ABOUT THIS ONE but what fonky way the bass is on !
The Inner Dimensions Of Rick Mason & The Rare Feelings (1976)

Tracklist

1. Rare Feelings
2. Dope
3. I dream of love
4. Funk ain't being funky
5. The angel in my life
6. Metarmophosis Funk
7. Song to God
8. Two against the world